After its launch on November 1, 2019, Apple TV+ became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. “The Afterparty” will join a growing offering of hit and award-winning Apple Original comedy series including Emmy, SAG, Critics’ Choice, Peabody and WGA Award-winning “Ted Lasso,” “Schmigadoon!,” “Physical,” Peabody Award-winner “Dickinson,” “Mythic Quest," “Central Park” and the upcoming limited series, “The Shrink Next Door.”Īpple TV+ is available to watch across all your favorite screens. The behind the scenes talent includes director of photography Carl Herse (“The Last Man on Earth,” “Black Monday”), production designer Bruce Hill (“The Last Man on Earth,” “It’s Always Sunny in Philadelphia”), costume designer Trayce Gigi Field (“Barb and Star Go to Vista del Mar,” “Dead to Me”), composer Daniel Pemberton (“The Trial of the Chicago 7,” “Spider-Man: Into the Spider-Verse”), and editor Joel Negron (“Thor: Ragnarok,” “21 Jump Street”). Lord Miller’s SVP of Television Aubrey Lee is a producer on the series, which was produced for Apple by TriStar Television and Sony Pictures Television as part of Lord and Miller’s expansive five-year overall television deal. Tony and Emmy-nominated writer, producer and performer Anthony King (“Search Party,” “Dead to Me”) will also executive produce the series. In addition to directing, Miller serves as showrunner and is executive producing alongside Lord through the pair’s production banner, Lord Miller. Each of the eight episodes features a retelling of the same night told through a different character’s perspective, each with its own unique visual style and film genre to match the teller’s personality. “The Afterparty” features a stellar ensemble cast including Tiffany Haddish (“Girls Trip,” “Like a Boss”), Sam Richardson (“The Tomorrow War,” “Veep”), Zoë Chao (“Love Life,” “Downhill”), Ben Schwartz (“Space Force,” “House of Lies”), Ike Barinholtz (“The Mindy Project,” “Neighbors”), Ilana Glazer (“Broad City”), Jamie Demetriou (“Fleabag,” “Stath Lets Flats”), Dave Franco (“The Rental,” “The Disaster Artist”) and John Early (“Search Party”).Ĭreated and directed by Miller, “The Afterparty” centers on a murder mystery at a high school reunion. By giving each episode its own unique style of storytelling, we were able to make what feels like eight distinctly different but interconnected films that highlight how everyone’s personal perspective and biases shape how they see the world.” “Our goal was to tell a comedic whodunnit story in a new and exciting way. “This is one of the most surprising, original and fun projects we’ve ever made,” said Lord and Miller. The eight-episode series will premiere globally in January 2022 on Apple TV+. Apple TV+ today debuted the teaser trailer for the new highly anticipated murder-mystery comedy series, “The Afterparty” from Academy Award, BAFTA and Golden Globe Award winners Chris Miller and Phil Lord (“Spider-Man: Into the Spider-Verse,” “The Lego Movie,” “21 Jump Street”).
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This makes for one of the most unique combinations of genres I have ever experienced. Through all of this you are basically playing a turn-based strategy game as you can stop movement and plan out what you are going to do next before doing it. You grab guns of all types, bats and swords, as well as getting down and dirty with your fists. As previously stated, you are a lone wolf character who is working through the levels defeating nameless, faceless enemies. With that being said, we have to jump into the intense mechanics of this Matrix-level bullet dodging simulator. However, in the wise words of Yoda: A video game this is. There might be more to this than a simple video game… There is something odd going on here, and as you go further into the level’s things seem to be weird. You download the filed and enter this computerized world that draws you in deeper and deeper as you let yourself become immersed, and somewhat lost in the depth of polygonal massacres. You haven’t, so he sends the file right over to you. One day a friend of yours hits you up and asks if you have been playing this crazy new game called “superhot.exe”. This makes for an adrenaline-rushed 80’s action flick that has you fighting as the underdog through wave after wave of enemy as you punch, shoot, and slice your way through this one. SUPERHOT is a movement-based FPS in which the enemies and bullets around you only move if you are moving. Although, wouldn’t it be nice to have a title that takes that tried and true formula and adds something totally out of left field into it? Well, the wait for that is over. There is no lack of titles out there if you are looking for a good shooter, as it is arguably our most common genre. The FPS genre is a mainstay of the gaming world, and with juggernauts like Call of Duty and Battlefield breaking down the sales charts you can see how important these titles are to the gaming community. SUPERHOT Developed and Published By: SUPERHOT Team A solar year is the time it takes the Earth to complete its orbit around the Sun - about one year. The 365 days of the annual calendar are meant to match up with the solar year. Leap years are added to the calendar to keep it working properly. An extra day is added in a leap year-February 29 -which is called an intercalary day or a leap day. The Curious History of the Gregorian CalendarĢ016 is a leap year, which means that it has 366 days instead of the usual 365 days that an ordinary year has.(For example, 1700, 1800, and 1900 were not leap years, but 16, which are divisible by 400, were.) Related Links Exception: Century years are NOT leap years UNLESS they can be evenly divided by 400. (For example, 2016 divided by 4 = 504: Leap year!)Ģ. Most years that can be divided evenly by 4 are leap years. This was an exercise of mine to see if I could do so, and nothing more.įurther, be aware that ZeroDivisionErrors are a consequence of the input year equaling 0, and must be accounted for.įor example, a VERY basic timeit comparison of 1000 executions shows that, when compared against an equivalent codeblock utilizing simple if-statements and the modulus operator, this one-liner is roughly 5 times slower than its if-block equivalent.Why and when we have leap years Rules for Determining a Leap Yearġ. Please note: this code is horribly inefficient, incredibly unreadable, and a detriment to any code attempting to follow proper practices. If the year is a leap year this will result in True (or 1, if used in C), otherwise it will return False (or 0, if used in C). This value is compared against 0 with the less-than operator. This value is added to (y % 4), which will only be equal to 0 if the year is a leap year after accounting for the edge-cases.įinally, 1 is subtracted from this remaining value, resulting in -1 if the year is a leap year, and either 0, 1, or 2 if it is not. If it is divisible by both 100 and 400, it will result in 0. If the year is not divisible by 100, this will always equal 0, otherwise if it is divisible by 100, but not by 400, it will result in 1, 2, or 3. ((y % 400) / 100))) >Next, the year is divided by 400 (and subsequently 100, to return 1, 2, or 3 if it is not.Īre then multiplied together. If the year is evenly divisible by 100, this will result in a value of 1, otherwise it will result in a value of 0. (int((y - (y % 100)) / y) >It then accounts for those years divisible by 100. In this case the result is computed in the function add2_New() and no print statement, and returned to the caller who then prints it in turn. I would have just gotten the output of the print statement the result is: 15 without the None (which looks like what you are trying to do). Incidentally, if I had just called the add2() function simply with (note, no print statement): add2() The None from the print statement when I call the function add2() which does not have a return statement, causing the None to be printed. The first line comes form the print statement inside of add2(). Return n1 + n2 # returns the result to caller Print 'the result is:', n1 + n2 # prints but uses no *return* statement Some short examples regarding the above: def add2(n1, n2): Note: This does not address any possible problems you have with your leap year computation, but ANSWERS YOUR SPECIFIC QUESTION as to why you are getting None as a result of your function call in conjunction with your print. Or modify your function to return a value (by using the return statement), which then would be printed by your print statement. So either just call your function like this: leapyr(1900) Your function doesn't return anything, so that's why when you use it with the print statement you get None. Latest qualified graphics driver for your GPU, with at least OpenGL 3.2 support required system Adobe Character Animator Compatibility The program does as much of the main character movements as possible, but it can also be used to adjust the character movements manually and more precisely. The same toolbar structure, menus, history of work, and the famous toolbar also exist in another form. This program is very well coordinated with other Adobe products and if you have already worked with Photoshop and Illustrator software you will feel comfortable here as well. You can also create interesting animations for situations such as falling, colliding, jumping, etc. When talking, the program is able to synchronize the movements of your lips well with the movements of your lips. You can also add new gestures such as turning your head or other gestures. The required characters can be drawn in Photoshop or Illustrator yourself, and then embedded in the software, or use ready-made templates in the animated character. And most interestingly, all facial movements and inputs and input sounds are processed and processed in real time. As soon as you laugh, the character laughs, or when you are surprised, the character gets a surprise. This means the program differentiates when you laugh or when you frown. An interesting feature of this app is checking and recognizing facial expressions. With a webcam and microphone you can apply any movement and sound to the character you want. Adobe Character Animator is a powerful program from Adobe to produce character animations from 2D images created with Photoshop and Illustrator software. These may be caused due to lost connection, network issues, system shutdown, or power outages. Since the tool comes with an error recovery module, you can effortlessly restart broken or interrupted downloads. Additionally, IDM can be used to resume and schedule downloads within a couple of clicks. Compared to Easy MP3 downloader, this software program can be used to download videos from popular streaming websites. Internet Download Manager is a simple yet powerful program designed to accelerate video downloads on your PC. Other prominent features include adaptive download accelerator, dynamic file segmentation, and customizable settings. Similarly, you can use IDM to download videos from YouTube and other popular streaming websites. It allows you to download all the images on a website. Internet Download Manager (IDM) features " Site Grabber"-a utility tool for Windows computers. Moreover, the tool lets you resume and schedule broken downloads, allowing you to save a good amount of time trying to restart the process. With this download software, you can speed up downloads by up to 5 times on your Windows PC. Other operating systems: The latest JDownloader version from 2023 is also available for Mac.Internet Download Manager is a powerful program used to accelerate video downloads. It comes in both 32-bit and 64-bit downloads. Previous versions of the OS shouldn't be a problem with Windows 8 and Windows 7 having been tested. JDownloader can be used on a computer running Windows 11 or Windows 10. What version of Windows can JDownloader run on? The source code for JDownloader should be freely available and modifications are certainly permitted as well as the option to inspect the software. The license provides the options to freely download, install, run and share this program without any restrictions. JDownloader has been released under the open source GPL license on Windows from Internet utilities. 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The magical kingdom of Lucis is home to the sacred Crystal, and the menacing empire of Niflheim is determined to steal it. The lip sync is fine and there's a boon on having fantasy oriented voice for the cast. Usually the dubbing in English for such production looks jarring, but here Lena Headley's or Aaron Paul's voice is implemented properly. Characters are relatively well done, especially the ones with famous names. It's all dramatic in presentation, yet it can feel a bit muddled, more so since it's quite the lengthy showing. The problem lies as it often skips from one scene abruptly without giving the audience much sense for the flow of time or the clarity of vital motivation. The film's animation is impressive, with highly detailed and beautifully rendered environments and characters that bring the world of Eos to life. Kingsglaive: Final Fantasy XV: Im The Hero Around HereWhat’s happening in this movie clipThe city of Insomnia burns. Head of the Niflheim military, who is sent to kill King Regis and retrieve the Ring of the Lucii. It's a very politically focused tale and it does try to deliver many subplots and characters, no doubt a foundation for the game's world and its splendor. Kingsglaive: Final Fantasy XV is a visually stunning film that provides an immersive and exciting introduction to the world of Final Fantasy XV. The story is delivered in a sci-fi fantasy realm. With all of these mighty productions, it's still vexed by occasional choppy pace and sporadic hop in screenplay. When I say Kingsglaive is beautiful, what I really mean is gorgeous. The vistas are absolutely marvelous, its characters look eerily lively and the fights are utterly unworldly. Alas, it too ends up being a beautiful head scratcher that never quite connects during its nearly two hour runtime. There's no denying the graphical barrage "Kingsglaive" constantly throws for nearly two hours is brazenly stunning. 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He can often be seen performing guerrilla shows on the street and/or in Phoenix Wonderland, which causes security to chase after him.ĭespite his independence, deep down, Rui has the desire to perform shows with other people again. Rui eventually decided that he would perform shows on his own, using robots as his actors instead of real people. However, due to his eccentric manner and risky ideas, his classmates grew to dislike doing shows with him and pushed him away. When Rui was young, he loved to create shows and tried to include his classmates in them. Rui is also very skilled in inventing machinery and creates animatronics for the shows. He manages the groups' stage performances and is both an actor and stage director for Wonderlands x Showtime. Rui was the one who recommended her to join the troupe. Rui and Nene are next-door neighbors, as well as childhood friends. It goes almost without saying that such appeals are racist and sexist, but broadcasting has never been an especially civil-libertarian medium.”īut since no good culture war can go unfought these days, the persistent reaction to this accusation is that anti-disco sentiment wasn’t driven by prejudice - it was about the whole idea of being an irreverent teenage outsider geek deflating the striving upper-middle-class Tony Manero wannabe, the money-flinging lothario in an expensive suit and a flashy sports car reducing himself to a superficial caricature just so he could get laid. If this seems like a contemporary social-justice-in-hindsight POV, keep in mind that Dave Marsh wrote in the last Rolling Stone issue of the ’70s that “White males, eighteen to thirty-four, are the most likely to see disco as the product of homosexuals, blacks and Latins, and therefore they’re most likely to respond to appeals to wipe out such threats to their security. On the one hand, you’ve got the perspective that the whole ordeal was a disgrace of aggrieved-whiteboy anger, the backlash of thousands of future Reagan (and Trump) voters revolting against the idea that the most popular music in America could be black or gay or feminine. The story of the event is told in two different ways. Hating disco was just the start.Īnd there are wider implications, too. And while rock music still did big business, its slow dissolution into the subgenre factionalism that dominated the ’80s was the first sign that a generation that came of age amidst the debris of Disco Demolition Night found its rebellion in pettier scale: not through rock as a mass movement focused primarily against the stifling mores of their parents’ generation, but as a tribal rite meant to wall off outsiders one’s own age. So even if the heshers and the punks agreed to hate disco, they also agreed to hate each other, too. Meanwhile, all the countercultural charge of rock ‘n’ roll was being siphoned off into new, underground-rooted strains - punk rock, then new wave - that were intent on knocking all the old dinosaurs down. The future of rock in the Top 40 sounded a lot like Foreigner, Styx, and REO Speedwagon - stuff that was too micromanaged and slick to feel rebellious, much less dangerous. Sure, the New Wave Of British Heavy Metal was surging, but the likes of Judas Priest and Motörhead hadn’t yet caught on in the States. Even less dirtbag-adjacent releases like Wings’ Back To The Egg and Fleetwood Mac’s Tusk just confounded people. Even the hot-selling blockbuster successes felt off: Led Zeppelin had art-rock synthesizers all over the divisive In Through The Out Door, and even if Pink Floyd’s The Wall was a huge smash, it wasn’t exactly kickass feel-good hard rock. But many of the decade’s other hard rock and AOR warhorses - Black Sabbath, Aerosmith, Ted Nugent, Peter Frampton, Blue Öyster Cult - were struggling to even keep it together. Sure, there were great albums that year - Neil Young, Van Halen, Tom Petty & The Heartbreakers, Thin Lizzy, Cheap Trick, and AC/DC all dropped classics. And his new station WLUP’s publicity stunt to blow up a bunch of disco records in the middle of Comiskey Park during a baseball doubleheader was all the excuse an already anxious, recession-choked record industry needed to downsize their tulip-fever investment in a genre they didn’t realize was just slightly more divisive, niche, and under-lucrative than they’d anticipated.īut the other death was that of mainstream rock ‘n’ roll. Disco itself was one of them, of course: Chicago radio DJ Steve Dahl, infuriated that his still-young shock-jock career was derailed when WDAI changed format from rock to disco and shitcanned him in the process, waged war on the genre. Disco Demolition Night, which happened 40 years ago today, is the day two genres were marked for death. |
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